
| The only
Indian to have won an Oscar for lifetime achievement in films, Satyajit
Ray needs no introduction. A versatile genius, this 6'4'' man showed his
talent as a director, producer, writer, composer and even a graphic
designer.
Ray was
born in Calcutta in an artistic and affluent family. His father and
grandfather were both writers, the former even used to write nonsense
verse.
The young
'Manik', as Satyajit was called, was fascinated by art, specially the
motion picture. After graduating in economics from Calcutta's Presidency
college Satyajit joined Shantiniketan to study commercial art.
His first
job in 1943 was with a British run advertising agency, D.J. Keymer, as
junior visualiser. He spent the next 13 years here, until he became a
full-time filmmaker after the success of his first film 'Pather
Panchali'. |

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Did you
know? |
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Satyajit
was specially interested in working for children.
He wrote numerous short stories including the famous detective
series Feluda for children. His stories are simple and
entertaining and deal will topics as varied as horror and science
fiction.
Satyajit also revived Sandesh, a children's magazine founded
by his grandfather, to which he contributed illustrations, verses
and stories throughout his life. |
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Fundu Fact
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So
interested was Satyajit in cinema that during a six-month trip to Europe
in 1950 Ray became a member of the London Film Club and managed to see
ninety-nine films in only four-and-a-half months! |
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A
meeting with the famous film director Jean Renoir in Calcutta in
1949 and a business trip to London in 1950, where he saw Vittorico
De Sica's "The Bicycle Thief (1949)", had such an influence on Ray
that he decided to make his own film.
With absolutely no experience in movie-making and no financial
backing, Ray started picking up knowledge from books on the subject
and got together a group of equally inexperienced but enthusiastic
youngsters to work with him on the dream project.
The experience was enlightening as Ray himself said, "One day's work
with camera and actors taught me more than all the dozen books." The
result was "Pather
Panchali," (1955) a film that won international fame for its
simplicity and originality. |
Satyajit's interest in cinema led him to co-found Calcutta's first
film society in 1947. All the films the society screened and
discussed were foreign.
"To be quite honest," Ray writes, "we found nothing worth studying
in Bengali films from an esthetic point of view."
After the success of Pather Panchali, there was no stopping Ray. He
moved from one success to another, making 29 films in 37 years. He
wrote his own screenplays, which were frequently based on stories he
had written or illustrated, usually sketched out each scene before
shooting it and handled the camera and editing work as well. Since
1962, Ray even composed the music for all his films. That's not all
- Ray even designed posters for publicizing his new releases!
Pather Panchali had two sequels Aparajito (The undefeated - 1956)
and Apur Sansar (The World of Apu - 1959). Together the three films
are known as the 'Apu Trilogy'. |
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Fundu
Fact |
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In his
films, Satyajit Ray tried to capture nature in its element. This was
often a difficult task. While filming Aparajito, for example, Ray
wanted to capture the chorus of fireflies at night on the camera. But
the light that the fireflies gave off was too weak to be filmed and
strong lights would have taken away the charm of the scene. So Ray
thought of a new way. A bunch of bare-bodied assistants, wearing black
loin-cloths were made to hold tiny flashing bulbs. The assistants hopped
around in total darkness giving the desired effect. |
Satyajit's films were studied in film schools, and watched repeatedly by
hopeful film-makers. Many Indian directors like Mani Kaul, Adoor
Gopalakrishnan and Shyam Benegal admit the enormous influence Ray,
India's first internationally recognized movie director, had on them.
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Not everyone
loves Ray! |
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Satyajit's films were often criticized for highlighting the poverty
of India. Some people even find them too arty. The famous writer
Khushwant Singh, for example, wrote that he 'dozed off' in the
cimema hall while watching
Pather Panchali! |
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In 1992,
Satyajit Ray was honoured with an Oscar for Lifetime Achievement. He
received the award from his sickbed in Calcutta, through a special live
satellite-television event. The award was followed by the Indian
Government's recognition in the form of the Bharat Ratna, the ultimate
honour for any Indian.
Satyajit Ray died on April 23, 1992. |
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Some Satyajit Ray films |
1955-
Pather
Panchali
1956- Aparajito
1957- Parash Pathar
1958- Jalsaghar
1959- Apur Sansar
1963- Mahanagar
1964- Charulata
1968- Goopy Gyn Bagha Byne
1974- Sonar Kella
1975- Jana Aranya
1976- Bala
1977- Shatranj Ke Khiladi
1978- Joi Baba Felunath
1980- Pikoo
1984- Ghare Baire
1989- Ganashatru
1990- Shakha Proshakha
1991- Agantuk |
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